Posts Tagged ‘fiction book’

Tips for Writing a Fiction Book (Part Three)

Monday, February 9th, 2009

The first tip for writing a fiction book highlighted how outlining your novel can help develop ideas, while the second tip focused on added character development. This last tip will emphasize how to flesh out your novel with subplots.

Building Depth

Creating supplementary stories to your main storyline really helps to engage readers by giving your novel depth (as opposed to a boring, linear story). Also, it allows you to put your characters into situations that vary from the central plot which can enhance certain attributes or demonstrate a different side of your characters.

Unless you’re creating a children’s book, readers want complexity and substance that will make them question characters’ motives and actions. By having a subplot or two, it supplies an opportunity for your characters to expand out of their conventional element into situations where they can display more personality or abilities that wouldn’t be possible within the structure of the main plot.

Make it Connect

Of course, one of the major concerns is not to letting your subplots dominate your novel or water down the central plot. Subplots are meant to supplement, not supplant. Likewise, subplots need to be well-developed or they might take away the reader’s attention as they ask, “Why was that in there? What was the point of that?”

So, the trick is making the subplot secondary (which is what it’s supposed to be) to the main storyline, but at the same time making it relevant enough to have in the first place.

Conclusion

I hope that the three-part series of tips for writing a fiction book were helpful. As always, I’m interested in hearing what you think. Do you have additional tips for novelists? Feel free to write a comment below.

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Luis D. Bonilla
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Tips for Writing a Fiction Book (Part Two)

Monday, January 12th, 2009

The last Individual Project Topic was part one of “Tips for Writing a Fiction Book” in which I discussed a strategy for outlining your novel in order to make it easier to flesh out an entire story. This week I will illustrate how to develop your characters with the purpose of keeping readers intrigued with your cast (and will try not to regurgitate what’s already floating out on the Web).

Establish the Setting

I feel that when cultivating believable characters for a novel, it’s best to have your entire setting determined so that the character fits within the story’s framework. By starting character development with the setting (i.e., time period, country/land, lifestyle, etc.), you are better able to create the characters’ experiences, interests, and other attributes that will make them believable.

Interaction: Not Like You

It’s important to not put your voice (or your personality traits) into characters, as they will all come off as uninteresting…think Cruise in Valkyrie.

Your novel’s characters need to respond to situations and have conversations that coincide with their constructed nature. So, you don’t curse when you talk in everyday situations, but maybe the Queens, New York gang member from your novel would curse in a #%&* minute!

Concluding with Part Three

The next time the Individual Project Topic rolls around, I’ll conclude the fiction book mini-series posts with how to modify your main storyline to comprise a well-rounded plot.

As always, if you have any comments, feel free to leave them below or email to feedback@wordszilla.com.

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Luis D. Bonilla
luis@wordszilla.com
Wordszilla, LLC

Tips for Writing a Fiction Book (Part One)

Monday, December 8th, 2008

I plan to write a mini-series of tips for authors who are beginning to write a fiction novel. I feel that there are common practices between successful, engaging stories and will attempt to lay the groundwork for beginning novelists searching for fundamental principles that most readers expect from novels.

Know Your Story: Outline

Most beginning writers have a great idea for a story, but don’t have enough story for a great novel. Novels usually entail a vivid creation of characters within a particular time period and/or world and just having a “sweet idea” won’t automatically create a fleshed-out story. This takes some effort…this takes an outline.

I know that a lot of people will argue that outlining will destroy the creative process and inhibit spontaneity. I will somewhat agree in that too much planning could be corruptive to the flow of writing or story development, but not enough structure can lead to a truncated adventure, diluted characters, or too many subplots that cloud the main story.

The obvious thing to do is find your own happy medium with the outline…one that gives you enough structure to begin, tell, and end your story but allows for you to have some flexibility with your characters and plot.

One suggestion would be to break up your storyline in chapters and then write a short summary for each chapter. Doing this will let you visualize how each incident will begin and end, giving you a more focused plot while eliminating opportunities for wandering characters (unless your novel is actually about a wandering character, in which case I would still suggest an outline).

A benefit of writing an outline or summarizing each chapter is that you will have a definitive end which makes it easier for most people to write. It’s very frustrating for many novelists to just write, write, and write without knowing the ultimate destination. For many individuals (including myself), having the objective in sight gives more purpose to the story leading up to the end.

More to Follow

In upcoming Individual Project Topic entries I will discuss tips to help develop character strength and how to expand your main storyline to keep readers engaged.

Do you have any tips for writing novels? Leave a comment below or write to feedback@wordszilla.com.

Ghostwriting Service - Copy Editing Service
Luis D. Bonilla
luis@wordszilla.com
Wordszilla, LLC